Oxjam Takeover 2012

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oxjam bournemouth 2012 posterThere’s been much anticipation and build up yet again for the takeover this year, and the start is slightly delayed in the Pier Theatre due to VT difficulties creating more suspense…

Martin interviewAnd we’re off – Powdered Cows start with Lobster, Martin fresh from being interviewed by Beth Graham who’s producing an Oxjam Bournemouth Takeover Rockumentary. Powdered Cows @ Pier Theatre, Oxjam Bournemouth 2012There’s been promise of a spectacle from Martin, he starts solo with his electronics for a couple of songs, before a lion and a crocodile join him for Lion Lion, with invite for the audience to take some percussion and create the song together

Catch up with Livvy in relaxed mode @ 60 Million Postcards, Oxjam Bournemouth 2012There’s delays in 60 Million Postcards too, so I catch up with one of the Oxjam queens, Livvy, who’s taking a moment outside.

Boolays @ Pier Theatre, Oxjam Bournemouth 2012

I head back to the Pier where the Boolays are hitting their last two songs, both of them debuts for the band. Soprano sax, twin dueling acoustic guitars and twin female vocals with male accompaniment means I’m in a brief delight.

Jack Grace @ Pier Theatre, Oxjam Bournemouth 2012Jack Grace is solo acoustic today, and sounds absolutely crystal clear on the vocals, while the guitar gently plays along to itself for much of the material thanks to his loop pedal. The fantastic ambience of the awesome pier theatre really works well for Jack’s voice.

Jack Vallier @ 60 Million Postcards, Oxjam Bournemouth 2012I reach 60 Million Postcards in time to hear Chris Woodford have a large shout up by compere Si Genaro. As ever, Chris plays a blinder. Jack Vallier is next up, and chooses to do a set of acoustic covers, starting with Wonderwall, which doesn’t go down as well as Krista’s version did last night. One bit of really good news – Tony Warren is back on the local music scene having had three years away in London; we have a bit of a natter and a catch up.

Citizen Perez @ 60 Million Postcards, Oxjam Bournemouth 2012Citizen Perez (Steve Perry) is up next in 60 Million Postcards, and everyone that’s told me about Citizen Perez has been right – what Steve does here is totally different to the other material he’s produced in the other acts he’s in. He’s doing new material (some involving kazoo) as well as acoustic versions of songs from other acts (like Disco’s Out (Murder’s In) ). Something that works well for him is the novelty kazoo taped to the microphone, such that he can still play guitar whilst using the kazoo. Makes for an interesting combination.

Not Made In China @ Pier Theatre, Oxjam Bournemouth 2012Back to The Pier, and one of my favourites, the happiest band in Bournemouth, Not Made In China are on stage. Their music is in major keys, with some great contrary bass work, big positive rhythms, and the killer vocals which somewhat tell of life in these times. People are clapping along, the only thing missing for me are the dancing idiots like me, but then this is a seated venue after all… Lee (Escape From 98) is with me, between us we cook up a new genre, African Indie, to place Not Made In China.

Annie Winter @ 60 Million Postcards, Oxjam Bournemouth 2012Annie Winter is doing her set at 60 Million Postcards; she’s recruited a full band behind her, Tim on string bass, Ben on cajon and Joe (Potter) on guitar and vocal. She’s singing winsome songs with a laid back feeling, perfect for a dreamy afternoon; with my rushing back and forth I’m feeling I’m not partaking in that vibe. My loss, and yet I wouldn’t have it any other at this moment in time 🙂

Compere Si Genaro introduces Tim Somerfield @ 60 Million Postcards, Oxjam Bournemouth 2012Tim Somerfield is given another of the Si Genaro treatments, and kicks off with last years Oxjam CD contribution There There. Tim’s voice soars over the guitar chord work, as if a bird released to float around the venue, major chords giving a positive lift to the songs. As I leave to reach the pier Tim starts Supervillain Alter Ego, which is on this years Oxjam album.

I’ve missed Our comperes Martin Roberts & Timo Peach @ Pier Theatre, Oxjam Bournemouth 2012Mischa and catch Martin & Timo filling the gap so the Chicken Soup Choir can set up. They interview conductor Julie, who together with pianist Esther inherited a choir and set up Chicken Soup, because its good for the soul as she puts it. The Chicken Soup Choir @ Pier Theatre, Oxjam Bournemouth 2012When the choir are revealed as the curtain lifts, I’m amazed at the size of it. They’re singing various pop rock songs, starting with what I think is Elbow, then Ash and Radiohead (I really don’t know my modern non-local music anymore). All the various instrumental components are sung, with oohs and ahhs and the like to make up the accompaniments.

Southern Ukulele Store Boscombe Ukelele Social @ Pier Theatre, Oxjam Bournemouth 2012Susbus (Southern Ukelele Store Boscombe Ukelele Social) fill the stage as did the choir. Lisa McQuillan and Jonty Johnson share most of the singing honours, though many others are pulled out of the esemble to solo and sing. I must admit much of my attention is on Nacho Jase, who’s playing bass ukelele and hiding at the back, yet seems to be filling the stage with his presence. Paul Tucker is our narrator, and there’s a spare appearance by Martin Roberts on kazoo.

Mutant Vinyl @ Pier Theatre, Oxjam Bournemouth 2012Mutant Vinyl have something special prepared for us tonight – I was with them last night as they were preparing the act for tonight. Ed starts trying to get his sax and vocals working to his satisfaction with the sound guys and the effects processing. Its not working for him so he invites his friend, birthday boy Tim Smart to join the stage. Luke also steps in, as Ed moves to the drums and Tim announces …. County Hospital…. County Hospital takeover the takeover with Mutant Vinyl @ Pier Theatre, Oxjam Bournemouth 2012This means that the charismatic Ed switches to the enigmatic Ed and starts playing the tricked out beats he’s so good at, while Tim, Marc and Luke rock out some wonderful experimental stuff – then promptly leave the stage after the one song. Artistic Impression or what?  [It later transpires that this early exit wasn’t in the plan, its just that Ed couldn’t get the over-FX sound he wanted, so rather than give a bad show in his eyes, took the brave decision to chop his act, even though this causes angst and consternation for some – particularly the poor organisers of the venue].

head of a cuban trojan @ 60 Million Postcards, Oxjam Bournemouth 2012Head Of A Cuban Trojan (HOACT) have nearly played their awesome set out as I walk in, there are just three songs left, and they are amazing. Heavy bass, over egged guitar, a bit of a grunge thing going on. Then they start megaphoning the lyrics just to add to the musical contusion. Love it

El BosCo @ 60 Million Postcards, Oxjam Bournemouth 2012El Bosco are a subset of Disco’s Out (Murder’s In) in appearance, totally different sound. Great melodies on Steve’s guitar, Ttubbs has some great beats going on, and Ed is pumping out the bass like a live one. Proper pop rock stuff, and everything starting to be turned up to the max on the PA. Its a little bit grungy like HOACT, yet not similar as there’s different things going on in the music and the vocals. Again I’m liking it, and am a bit torn to move to another venue.

Get The Tape @ Ontherocks Bar, Oxjam Bournemouth 2012On The Rocks next (as I turn up at The Pier for Momo:Tempo to hear Tim say he’s finished), where Get The Tape have just started. Big screamo shouty rock, upon which regular readers will know my views. Even so, Get The Tape are different from the rest, their drummer is able to play some really fast timely stuff, while the lead guitar is producing great tunage, rather than the mushy chords I normally associate with the style. Another band I want to hear more from in the future, despite my general reservations on the genre.

Know One @ Pier Theatre, Oxjam Bournemouth 2012Know One are playing what’s been dubbed as their last ever set on the Pier Theatre stage. Starting with some long-lost Two Tone material as an intro and sort of soundcheck, they soon move into the moshing stuff they’re known and loved for. Massive bass work, big horns (Callum still running around with that sax) and the others making good with the drums and the chord work. They are really on fire, and they even play their request song that they never normally play, Invisible Reality. I leave before the end, though, for…

Yellowgroove @ 60 Million Postcards, Oxjam Bournemouth 201260 Million Postcards again, this time for Yellowgroove who are in the middle of their 5 hour remix of Spread Your Love (Like A Fever), by all accounts they’ve done everything needed to satiate this noisy and active crowd. They get such a great groove on as they start Manimal, while still managing to take the rip out of their mate Nick. A brief crowd incursion causes a bit of havoc with Simon’s electrics, before they go into their next single Fading Out (available on the Oxjam CD), which is where I move out to On The Rocks.

Escapefrom'98 @ Ontherocks Bar, Oxjam Bournemouth 2012Escape From 98 have just started, and immediately start the heckling going. I have no paper to throw at them in return (their gig the night before in Salisbury culminated in a paper ball fight), so just bellow instead. We need to start a thing going – they have a new song Chorus where they encourage the crowd to shout the title – just shout “NO!”, kids. And they’ll love you forever and stuff :). A great set and a good end to this venue.

Mother Ukers @ 60 Million Postcards, Oxjam Bournemouth 201260 Million Postcards now have the Mother Ukers down, we’re still rammed in here as they play Love Cats then Cars before murdering Bowie (in a nice way), by turning Space Oddity into a chirpy number, while still retaining the modal nature of the song.

The evening ends in fine form with a little auction trying to sell off some particular one-design T-shirts, all to raise more funds for this worthy cause, before we continue partying the night away. I give up the party and take the option to leave for home, since I have diving in the morning.  A great, if wearing, day, thanks to the full on efforts of the team, Katy, Liz, Lauren, Livvy, Jo, Geoff and Andy, and all the others that I’m not aware of.  Please can we do it again, next year?!?

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Easter Festive Beginnings

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Kathryn Price, 5 April @ InfernoIt’s the Thursday before the Easter long weekend, tonight I start at the Inferno, where Kathryn Price is opening the weekend long Infestival 2012. Acoustic music tonight with Kathryn, Tom Clements, Simon Lane, Karl Hayman and Phil King. Kathryn has a good strong voice, and she’s giving her all for what must be a pretty soul destroying gig with few active punters (though many people in the bar) and the air con blasting out cold of all things on a night like this one.

States Of Matter, 5 April @ Litten TreeStates of Matter are playing at the Litten Tree. They were guests on the radio show while I was away, courtesy of Radio Boscombe. They are loud (yet not enough to need earplugs) rock (and are good at it), have decent stage presence, and then go for the popular vote with their fans (of which there seem to be plenty here) by covering Summer of 69, straightforward though tight.

Simon Lane, 5 April @ InfernoSimon Lane has moved on to covers at the Inferno when I return, in his words the crowd here didn’t seem interested in his original material, and only slightly more interest in covers, even though they are well performed; his mature voice has great tone, and the guitar work is pretty solid, throwing in alternate chord work to classics such as House Of The Rising Sun. He’s acting as compere tonight and is including this in his act, trying to win over those that are here and interested.

Tom Clements, 5 April @ InfernoTom Clements is next here, starts with a cover before going into his own material, showing out some of the amazing finger skills he’s picked up over the times. I don’t need to say much more since I said it all at his Chaplins debut.

Yellowgroove, 5 April @ O'Neills O’Neills now, and Yellowgroove are just hitting their stride, moving from covering All Right Now into original Son Of A Working Man, with a drum-led interlude while they switch instruments and Simon works up the crowd. The party mood contimues as they stroll into new one That Man is An Animal, which they almost tribute to Jim Marshall of Marshall amps fame, who passed on today.

Morphic Fields, 5 April @ Cellar BarI leave during cover Stuck In The Middle to see Mutant Vinyl at the Cellar Bar, only to find I’ve missed him, and Morphic Fields are on by now, playing a blend of songs containing some kicking rock and smooth jazz/soul, all in one song in one case, very clever and they make it work really well.

Karl Hayman, 5 April @ InfernoKarl Hayman is on in Inferno, its rare that I’m at the same gig he is nowadays for whatever reason. His voice is quite unique in tone and timbre, and he’s good with guitar too, though no one is really here actively listening which is a big shame – he’s pouring his all into the set, mixing things up a little.

I end up at O’Neills hanging out with the crowd there, totally missing Phil King closing at the Inferno – my bad.

Oxjam Takeover 2011 Saturday 22 October

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Oxjam 2011 logoIt was at Oxjam last year that the idea was first asked of me (by the lads from much missed Bel Casino) to write up the gigs I go to, to help promote the bands I see and big up this amazing music scene.

Now one year on, this blog has grown its own shape, and the Oxjam takeover is bigger and better than ever. Its all started for 2011 at On The Rocks, where the Grubnium DJs are starting things off, and 60 Million Postcards, where I’ve come down for an acoustic afternoon with Ness.

Si Genaro @ Oxjam - 60 million postcardsJohn Llewellyn is just finishing, Sofi Reed is just heading out having started things off, and Si Genaro takes to the stage. He’s playing some more laid back and contemplative numbers, perhaps as its an afternoon chill; Ness likes that he has a different style to many other artists. Si Genaro with Kimari Raven @ Oxjam - 60 million PostcardsAt the end he’s joined in a duet by Kimari Raven, and final song has MC Jon on stage with him.

Tim Somerfield @ Oxjam - 60 Million PostcardsTim Somerfield takes Si’s place, again staying chilled at the start. Saying he’s chilled though, there’s a lot of fast left hand fretwork going on in conjunction with the chorded right hand. Tim picks up the pace and goes more upbeat toward the end, making more of the crowd that have turned up for him.

Chris Woodford @ Oxjam - 60 Million PostcardsThe penultimate artist this afternoon is senor Woodford, just him and his 12 string guitar, playing it as brilliantly as ever, though he seems to only do a short set.

Krista Green @ Oxjam - 60 Million PostcardsKrista Green dashes in, cold off the street having busked for a while, provides great musical entertainment, yet its time for us to leave, having been here for a few hours, Ness needs to get home and I prepare for the night to come…

Sofi Reed @ Oxjam - SpyreI start the night at The Spyre, where Sofi Reed is kicking things off for the evening, having also started it all earlier at 60 Million Postcards. There are a few lighting and power problems – as I walk in Sofi ends her first song with no PA, which she wittily and humourously blames on my walking in, in this intimate environment. She plays favourite Breathe, then Broken Windows. As she starts the latter, the room descends into darkness as everything trips out. She soldiers on totally alone, in the dark, and still sounds fantastic!

MC Pat Page with County Hospital
Ed Pope back in Bournemouth

County Hospital @ Oxjam - WinchesterOn to The Winchester, where County Hospital are in full swing. They play their first song they ever played here in the Winch at their first gig, Mystery Shopper. The enigmatic Ed Pope is back in town, giving it large on the drums, its also great seeing Tim so relaxed and enjoying himself at this first County Hospital gig in town for a while. Luke on bass seems just one big grin. Pat Page joins them for one song as a guest MC, something different again, while Tim mucks about on an iPad. Slipping into their closer, Clare joins the stage to add some vocal changes to what has possibly been the best and most intense performance I’ve seen them give, ever.

Not Made In China @ Oxjam - Smokin AcesThe happiest band in Bournemouth, probably (Not Made In China) are in Smokin Aces starting off the nights festivities. DJ Trev from the Blind Pig Hot Swing Floor Show is hosting this evening. Not Made In China start as they mean to go on, straight into an African style guitar led swing / calypso. Trevor Hill introduces Not Made In China @ Oxjam - Smokin AcesThey also have some great harmonies going on.

Martin Roberts - Safari Park @ Oxjam - WinchesterBack to The Winchester and Safari Park (yet another band the irrepressible Martin Roberts has formed) have replaced Powdered Cows on the bill. I’ve not heard this 3 piece before, all three sing, Martin is on bass with this one. They are playing eminently accessible music, tuneful and enjoyable, not at all the quirky yet fun material I was expecting from knowing the other acts Martin is behind.

Trac Pawley introduces Mischa @ Oxjam - SpyreOn again to The Spyre. Trac Pawley of Language, Timothy! is hosting the Spyre, with The Chairman providing musical interludes. Masters Of None (Chris Woodford and Jeven) are halfway through their set, making good magic on their dual guitars. Masters Of None @ Oxjam - SpyreIts all instrumental, which makes it all the more special, especially since Chris takes it on himself to barrack some of the audience (well, Mischa and myself) in this great venue. 

Mischa @ Oxjam - SpyreMischa is on next, he’s lost his Merry Men this time and is performing solo, however he’s promised a few changes to his set as a result. He starts strong, announcing a feed line I gave him regarding DMA (billed as soloist and came with a band) whereas now he’s billed with band and is himself. Nice when people take what you say and reuse it ! Back to the music, as expected he’s animated and energretic, even though he’s come back from Devon, just for this gig. The Bands That Saved My Life is a song I don’t think I’ve heard before, though I must have done, full of angst yet still upbeat and happy. Love it.

Spiders @ Oxjam - WinchesterSpiders are another new band to me, they are playing good solid rock pop when I walk in to The Winchester. Strong drums and bass work with guitar riffing over the top. These guys then grab Ed Pope for his sax skills and they break into a form of jazz funk number for his appearance. The two guitarists are sharing vocals across songs since both have decent voices. We also have some dance moves being busted at the front of the crowd, good stuff.

https://www.facebook.com/media/set/?set=a.230707500316938.61483.100001330690156&type=3#!/photo.php?fbid=234519013269120&set=a.230707500316938.61483.100001330690156&type=3&theaterI catch the last 3 songs of Empire Affair‘s set at Champions. I’m personally pleased to see a largish crowd here too. The lads are giving it large and loud, I’m pleased I made the detour to visit. Neil is doing just about everything he can to inject energy and verve into the performance, which the others resolve with their pumping tunes.

Mutant Vinyl front line @ Oxjam - 60 Million PostcardsI arrive at 60 Million Postcards in time for Mutant Vinyl‘s set, just missing the ends of both Kentucky Fight Club at Smokin Aces, and Dirty Jerkers here at 60 Million Postcards. Mutant Vinyl announce this as their reunion, and its a bit different than their last gig in town, full 6 piece plus roadie Mitch. They are funking around with the rhythms something amazing, Mutant Vinyl back line @ Oxjam - 60 Million Postcardswith Ed’s lyrical eloquence interspersed with little sax solos in the opening number. All this while being able to hear “f… all” through the monitors (as he puts it). As expected there’s a full crowd here all in anticipation of the return, covering the full length of the long bar at the start, and quite reaching to the door by the middle of the set. Crowd to the doors @ Oxjam - 60 Million PostcardsAt the end Acid Honey is inevitably thrown in, however totally remixed live and thrown around, both pumped up, then taken to a chilled out vibe, as Pat takes to the stage briefly to MC some stuff. The band carry on building a crescendo from chilled to full on crashing rock chords at the end, to immense applause and cheers. Mutant Vinyl are back (for this one night only, at least)!Mutant Vinyl Sax break @ Oxjam - 60 Million Postcards

Peace, Love & Gloves @ Oxjam - On The RocksOn The Rocks has Peace, Love and Gloves doing their rock thing to their usual huge crowd of people, all jumping around to the incessant beats. They also feature MCs doing bits and pieces of the vocal line, turning an otherwise three piece into five. Having heard a very early demo tape, almost acoustic in nature, I’m impressed with their live set, and the huge energy they produce from stage, send into the rowd, thhen feed off to push for a better gig and show

Michael Wookey @ Oxjam - SpyreI started the evening at The Spyre, and end here (well, almost), right at the very end of Michael Wookey‘s set, and manage to hear his encore, which is a simple number on onmichord and vocal synthsizer. He’s also shirtless when I walk in, I hear afterwards it was as intense a performance as an artist can offer; right on the boundaries of music and fine art, and is loved all the more as a result.

DO(MI) @ Oxjam - 60 Million PostcardsJet down to catch the last last act – Disco’s Out (Murders In) at 60 Million Postcards again (running a little late). Like so many of the acts tonight, they are really going for it and giving out one of their best sets ever. The usual unusual costumes are evident; they end in grand style, with Martin ending up on the drum kit hiding in the ceiling… DO(MI) finale @ Oxjam - 60 Million PostcardsA great party end to a great party night, with DJs on after to continue into the small hours.

I head on to Smokin Aces just to see what’s happening, and really enjoy the set played by DJ L33R0y, though I can only stand the pace until 2am or so, having been out for nearly 12 hours!

In all, 6 venues, 8 comperes/DJs, 17 bands and artists all crammed into 1 day/evening … How cool and together is this music scene in Bournemouth?!?  – please remember the Oxjam Bournemouth CD is available on bandcamp – 22 tracks for £5.

1 Sep Smart Mutant Emeralds

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Tim Smart has made a surprise appearance tonight so he’s on stage when I arrive – see the youtube video of his take on I Know An Old Lady for interest. As ever one of the best entertainers around, even when says he doesn’t know beforehand what he’s going to do!

The Emerald Guard @ Cellar Bar 1 SepThe Emerald Guard are on next. Two guitars and bass, accompanying some clever key/synth work. The phrase “wall of sound” is used a lot in radio talk – these guys deliver that in droves. There are some good riffs and hooks here, almost danceable rhythms, and the lyrics are neat enough for the music style.

Mutant Vinyl do Jazz @ Cellar Bar 1 SepMutant Vinyl are playing their last gig for a while, Ed starts with a jazz sax solo (Brecker Bros – Funky Sea Funky Dew) “as he’s never had the bottle before”. Note the music stand – stand-in of Tim Smart in the photo. Despite Mutant Vinyl @ Cellar Bar 1 Sepbeing their last gig for a while, this is very cut back at the outset, just Ed with dad Jim on drums. I don’t know what it is, I’m not normally a fan of a wailing vocal, however with Mutant Vinyl it just fits and works. Pinks Dagga is on youtube.

Bhone Birthday Fundraiser – Final (5th) gig.

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Bit of a car malfunction so I arrive just in time to miss Saturday Sun. Talking with them and Martin from Disco’s Out (Murder’s In) (who’s trumpeting with Mutant Vinyl tonight) they had a great time and apparently ran with a good set.

Blackwater Caravan

Blackwater Caravan bhone bdayBlackwater Caravan are on stage when I walk in. I caused a bit of controversy at the Dorset Music Awards when I didn’t recognise their talent then. They are kicking some munged up grunge – distorted vocals are wailed out, accompanied by what sounds like a fuzzboxed bass and screaming totally overblown guitar, which turns out is a problem with the PA system.

These guys are placing a lot of energy into what they’re doing, and there are moments of solo brilliance. Their intros and outros are nicely segued, one song cleverly merges into the next at one point. Lead Zac’s solos are well performed, and he chooses a good set of effects for those, what I get lost in is when he switches to rhythm pieces and the previously mentioned over-volumed distortion mashes over his vocals.

There also seem to have been problems with the guitar, it needs tuning after nearly every song, and I’m pretty sure that not every song is in a different tuning. Towards the end of the set the PA gets sorted and the over-distortion is reduced, allowing us to appreciate Zac’s vocal talents more effectively, and talent there is a plenty, it’s just not been that great a showcase due to the lack of PA clarity earlier.

Rapids!

Rapids! bhone bdayThese start with their strongest track from the EP that impressed me so much. High amount of movement, catchy tunes, clear vocals, loads going on, impressive from the outset. Something must be going on backstage, lead Matt let’s the impressiveness slip during the gap by mentioning something about a guitar amp, I miss th exact coment but its clear the rest of the band don’t like this, which I think is funny.

Maybe he’s using whatever it a a goad to spur him on, he’s certainly putting a lot in to tonight’s performance, as are the rest of the band. Halfway through the second track there is some amazing bass work shaking the room, who would think that a slow alternation between two notes would be so powerful. They seem to be going down well with the crowd too, lengthy applause follows each song, possibly something to do with the really catchy keyboard/synth work, one song in particular is very 80’s in appeal (thinking Simple Minds here)

Matt Rapids! Closeup bhone bdayMatt has an interesting mic technique – he uses an upright stand when not on synth, holding the mic with both hands, looking up into the air rather than at anyone in the audience. He also has what looks like frustration but what I think is just his eccentric tendancies, jumping about, or standing on the spot kicking his knees together, putting on an in places alarming show. Their intros are also worked out – they tend to be quite sparse e.g. Drums on rims, guitar just picked staccato through a simple effect, then the full song comes in, eiter gently blending or gloriously crashing, either way entirely appropriate to the tune concerned.

Mutant Vinyl

Mutant Vinyl bhone bdayThese guys have grown so much through the various gigs they’ve played since the last time I saw them. Heavy and melodic at the start, they allow the art to shine through the music throughout. Dread is their homage to dub beat, its at once instantly memorable, yet promising of distant things – I think its very Egyptian in its stance, rather than Jamaican, then they throw in a grunge riff just to make things more interesting than they already were. Its also tonight’s first outing for Ed’s sax, more on this later.

I say this as next up is Wind That Woke Our Baby, some could call it soft rock however it has much in similar with some of the China Crisis in my memory. Mark (lead guitar) has a “pretty” riff for this one (I’m allowed to use pretty – that’s how Ed described it) then it builds into a more rootsy rock, all along Mark’s riff continues – very much like a koto sound from his guitar. Next there is more sax and this time Mark’s using a drum stick in right hand to create some chords. It then progresses into a rolling rock beat from drums while sax is sprayed all over, in a musical sense!

The next song is a Kings Of Leon cover, Knocked Up, and pin drop silence is requested, this is because guest vocalist introduced as Kya starts very quietly, while the music gently plays in the background, very melodic bass work leading the song on. This gentle start builds into a crescendo, which explodes in the third chorus. Martin Roberts is invited up for a special bhone 5th birthday version of Acid Honey. This should normally start with a sax solo over a steady drum beat then bass kicks in with a single note rhythm. Thanks to Martin this is a sax and trumpet solo, both playing the same riff in time, in the same octave. Great start well rehearsed and executed.

Mutant Vinyl Crowd Surf bhone bdayFor the sax break after the first verse, Martin and Ed take turns to have a playoff, before Martin switches to megaphone, another is invited up to play guitar while Ed grabs a third guitar. Meanwhile the band are all jamming out together while Ed calls for (and gets) a mosh pit. For their encore, they claim to have no material, until deciding to go with Guns Of Brixton, inviting Rob and Claire on stage to jam. Towards the end some crowd surfing goes on, before a glorious shambles of an end involving guitars, leads, sticks, amps and bundling.

To sum up, all bands tonight have represented a new breed of talent rising through the ranks, rather than out and out rock as many over the past days have been, all these acts are bringing something different to the party. Does this represent a change in focus for music in Bournemouth?

Oxjam Bournemouth Takeover, 2010

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Overall an amazing weekend, lots of bands playing lots of venues, all to raise money for Oxfam.

Friday Night, Champions

Only managed to see the last two of the four acts on the bill – Sola Infrared  and My Broken 101.  Both amazingly chilled yet big rock vibes, have provisionally booked MB101 for a show appearance.

Saturday afternoon, Sherbet Lounge & The Inferno

was limited in my options here – was at a Samaritans Purse fundraising quiz night from 7pm, so was only able to catch a few of the afternoon bands:

Sherbet lounge:

The Inferno

Saturday Evening, Winchester, 60 Million Postcards, The Inferno

After the Samaritans Purse fundraiser was compete, managed to dash to the Winchester to catch the last chord of New Volunteer, before seeing one of the Retro Bombshell burlesque troop while waiting for The New Governors.

Then to see Mutant Vinyl  in 60 Million Postcards (he’s by far the hottest property of the moment in town), before finishing the evening with Dusty Cuts in The Inferno.

Something of note – bumped into many ex-Betikans in 60MPC; things might be looking up on that horizon. Dave Purse was out telling me about this new project he’s currently got on, Zaardvark (it could almost be Jazz, he furtively whispered)

Sunday night, The Old Firestation

This was a first for me, not been here before (even though many gigs take place here, I perceive it as mainly a student venue and caters for the DJ crowd rather than live music audiences.)

However, amazingly strong line up, all ably held together by Chris Brown, the Rock ‘N’ Roll Town Crier:

No particular major reviews here, just a fantastic weekend of live music through out the town.  Big shout to Tone Foster (bhone) for pulling to gether a great team, including Chloe (The Longest Day), Geoff (DJ Mr Lively) and Rob (who I’d seen around but not had a chance to talk to before).

Thank you Bournemouth muso’s for your generosity and prowess in equal measure.