Dorset Music Awards Quarter Final 1

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If one wants to get along to these Quarter Finals must make it early – they start at 8pm. This is good as hopefully once “the crowd” (myself included) realise music starts earlier than it has been they’ll be prepared to come out early and nights won’t start slow. The knock on effect of this will then hopefully turn the last slot into a proper headline, rather than the graveyard it has started to become…

As intimated above, I didn’t manage to make it here until 9pm, so I’ve missed Evolver and Kinnie the Explorer. What I can’t miss is the capacity crowd – the Dorset Music Awards always pull out a lot of fans and also other musos, from within the competition and without.

Rapids go on as the third act of the evening, my first. They are energetic and loud, yet not to a volume where earplugs are needed. Front man Matt is kicking around all over the place, they are very high energy rock, pacey beats, fast bass and rhythm guitar riffs with screaming lead, and a bit of synth thrown in for good measure.

A bit of flavour is added by Matt jumping into the crowd and jumping away while still shouting the lyrics. The applause is polite, with a few whoops and cheers; there isn’t a lot of other movement going on to match the high energy performance. I’m therefore a little taken aback by the noise when they’ve finished – they’ve clearly won some people over.

Cella Creeps are the penultimate act. I love the spaced out sound lead guitarist Mark creates for their opening numbers. They are also producing some solid rock stuff as well, plus a small disclaimer from bass and vocalist Ed – “no we’re not Mutant Vinyl, some of us just look a little like them!”

This time the audience seem to be behind them more – more swaying for the slower numbers; more movement for the swifter elements. Something strange, Ed seems to have his own personal roadie – even to the point of plying him with a drink while he’s playing – turns out there are 3 songs without a break for bass and he’s thirsty!

At the end as part of their last song, Ed is clearly looking for something special – he steps forward to encourage some mates to start moshing, then jumps down into it – still playing bass – to join in. Cue close of set with tons of feedback….

Saturday Sun play to a still packed house, although has thinned out a little bit due to the 11:30 start time. As ever, they are open, wide open with the guitars and the beats. All dreamy stuff, yet there is still a lot going on with bass riffs, clever drums and rhythm guitar, all doing their build to crescendo then fade away to silence

They bring a different summer evening vibe – a feeling of calm and stillness. Well, to the front half of the room who are still paying attention – those round the bar appear to have lost interest. I think it’s more the nature of Saturday Sun’s music that these noisier people can be heard over the quieter tunes.

As ever with the Dorset Music Awards, a big shout goes to Trevor and Richard from Dorset Music Forum for organising and running another amazing night of live music in Bournemouth.

Dorset Music Awards – Heat results announced

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Well, it’s all over, and 20 of arguably the best acts in Dorset have made it through to the public voting Quarter Finals of the Dorset Music Awards 2011 – and I feel able to talk about it properly 😉 

First off, big kudos to everybody daring enough to enter the awards in the first place, and to then play in the heats – it must be absolutely daunting to know that you’re giving a performance that you will be assessed on, that could possibly change where you’ve been heading so far.  I don’t play publicly anymore, so you’re already way many steps ahead of me, a mere critic. Admittedly I’m one who prefers to offer critical appraisal rather than pure criticism, so I found it hard to make some harsh decisions in the judging chambers.

Those acts chosen are (in the order seen in the Heats):

Sarah Griffin
Mischa
Powdered Cows
Saturday Sun
Sirpico
  Lauren Bannon
Pachango
Cella Creeps
Big Face Reggae
Not Made In China
  County Hospital
Rapids
Hessian
Evolver
Bel Casino
  Fearne
New Volunteer
The Neon Tigers
Constellation
Kinnie The Explorer

 
I had some disappointments – Blackwater Caravan were one band who I had heard of but never seen before, and I had passionate discourse with the other judges that I just didn’t “get” why their loud and up to 11 show was so stunning – they didn’t really stand out to me.  Moontown and Amity Road were the same – I enjoyed being entertained by them, and was enthused by their attempts to win the crowd over, yet wasn’t able to sway the other judges to my opinion. Other acts that got a positive yes from me and didn’t go through were Moll Storey and Transend – which surprised the others!

In the vein of offering critical appraisal, all my comments have been made available to the bands via the event organisers, good and bad.  I’ve also offered an opinion on what they could do to improve my view of them, which will possibly get me into a lot of trouble. Controversy here we come :D.
My performance highlights looking back were :

  • Mischa, who reached the Semi Finals last year and re-entered, turning up this time with a full band to up his game – big UP
  • Hessian – filled the place with a really buzzing crowd and woke up the venue just before lunch
  • Sitting Pretty – while the grunge look and sound isn’t a preference of mine, they just got up and did it, just not quite well enough to make the cut for me.
  • Transend – I really don’t like their music style, but I didn’t care.  They came in with great ‘attitood’ and woke the place up.
  • Amity Road – Many of the bands on the stage nearest the door had a hard time drawing the crowd away from the bar – these guys already had an audience, called for (and received) more, then gave a strong visual performance to enhance their sound.

My tips for the finalists?  Sarah Griffin again, The Neon Tigers, Mischa, Big Face Reggae, Fearne. Now watch my kiss of death see them all go out in the Quarter Finals :-o. 
Who would I really like to see do full sets on one stage? Cella Creeps, County Hospital & Powdered Cows purely because they were the most artistically stylish, and The Neon Tigers because of their sense of musical theatre.

What surprised me were the number of acts that weren’t a definite yes from all three of us judges – it did make me wonder if those who entered had really taken on board the Tips for Entrants notes provided by Dorset Music. Having said, that, I’m also guilty of not reading them until afterwards, yet I am in accord with the “Band Persona” and “Stage Presence” comments.  I felt that acts had some members that were trying, yet were let down by others in the band.

I’m reminded of a time I saw The Strokes I think it was (my sister-in-law had them on the telly) – they were just standing there, live on stage, playing the music, looking at the floor.  Why bother doing a live gig if that’s all you’re going to do? Is being part of the crowd (and that wonderful experience) enough to compensate when the same tunes can possibly be heard better on your Hi-Fi?  I’ve probably just alienated many in the Bournemouth gigging crowd, and perhaps you my audience, by being so candid, however I feel that if I want to see a band live I want to be captivated to some extent by the live show.  If I just wanted to hear good music, I can pick up the CD and listen without going out.

I’m minded that the vast majority of acts in Bournemouth are absolutely fantastic, strong musically and in stage presence, which is perhaps why this is such a tough town to make a break in – we just haven’t got enough venues and outlets to showcase the massive talent visible to us all.  I’m very glad and grateful Dorset Music (amongst soooo many others) push themselves and the boat out so far to make this scene what it is.

Here’s to more great music on the scene, and to the Quarter Finals near the end of the month.

Second Update on Dorset Music Awards

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…So we’ve reached the end of the Dorset Music Awards heats.  Amazing music – I will be posting my thoughts on the bands seen later (when permitted by the team). I also now don’t envy those who will have to judge the next round but one (the semi finals) – the quarter finals are down to public vote, where acts need fans to help them get further on.

Suffice to say we had a long debate over a large number of acts. Yes, some decisions were more or less automatic (if 2 of the 3 of us agreed “yes” or “no”).  That still left a large number that were debated long and hard.  Us three judges each made some tough calls, we each “fought our corner” for those we’d liked (or even not liked enough), we each have had to make concessions that we didn’t agree with, however at the end of the 90+ minute session, we are all satisfied with the final list, albeit still perhaps personally disappointed we didn’t have it all our way… 😉

We know there will be some surprises, and apologies in advance as we know there will be some big disappointments.  It is my understanding that each act will receive feedback on what they did or had that allowed them to go through, or what it was that meant they failed to go through, or that they were close and either just did or just didn’t make it.

Admittedly, that means I now need to write up nearly 40 pages of notes made during the sets we’ve seen.  Gosh.  Overall (apart from that seemingly daunting task) I’ve had an absolute blast; I only hope my input has been of sufficient quality for Rich and Trev that they allow me the privilege (and pain) of judging again another time.

Now, I’m almost looking forward to judging in the next competition I’ve been asked to participate in, Bournemouth Unplugged.

For the record, the bands/acts seen today were (in order, and for anyone that didn’t get to see these, sorry in the main you’ve missed a blast):

Connor Heather

Lucas Raye

Not Made In China

Looking Through Glass

County Hospital

Rapids

Sitting Pretty

Dan Rumsey & The Bitter End

Hessian

Evolver

Transend

Icarus 1

Bel Casino

Moll Storey

The Blackened Blue

Fearne

New Volunteer

The Neon Tigers

Dead Lettuce

Constellation

Kinnie The Explorer