Pop Punk & Blues

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The first act on in the Inferno  tonight were 9 Left Behind, I missed them due to being at a family party out of town and apparently they were really good for their first gig ever. Thanks to 9 Left Behind the Inferno is pretty full in this, the live music back portion of the room.

Skyway Avenue @ Inferno, 16 Feb 2013 Skyway Avenue are our second act and put on a decent performance, steady pop punk rock, fairly energetic within the band, four young lads giving it loud on the instruments. Considering the beats of the songs themselves are of fairly modest tempo they ‘re putting on a commendable and decent set of tunes. These hampered slightly by the overpowering bass compared with the guitars, themselves which overshadow the vocals, though rhythm guitar admits to not singing as much as normal due to colds etc. Still manages to provide some lively jumping around for the band all the same.

Escape From 98 @ Inferno 16 Feb 2013Last band tonight are Escape From 98; I’m here doing penance for being abroad when they were guests on Hope FM’s LiveWire Live (mixcloud repeat here), a fact they remind me of when I arrive. Furious tempo from all of them led by Mandy, with all three of Lennon, James and Lee taking opportunities to run around like mad things (visual – picks and stands flying all over the place), particularly with new song Rat Race, given a debut airing second into the set here at the Inferno. The pace is relentless, minimal shouts between the songs spare of encouraging shouting along and dancing, each song barely seconds away from its precedent. Chorus again is excellent, even if my “No!” refrain isn’t catching on yet. I’m not allowed to mention that an otherwise tidy and tight set is let down by the unplanned encore of Ben’s Mum, brought out of retirement. Excellent fun again.

Paint It Blue @ Cellar Bar, 16 feb 2013The Cellar Bar beckons for Paint It Blue are again filling the floor with their fans thanks to their amazing renditions of rootsy blues, whether ballads, staples or rockier numbers. This is the first time I’ve seen paint It Blue in a long time, and Fish is with them again providing that additional dimension with his blues harp. It later transpires this is Ian’s last gig as Paint It Blue‘s bass player so there are a few resultant farewells. Another great end to a good night.

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Oxjam Takeover 2012

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oxjam bournemouth 2012 posterThere’s been much anticipation and build up yet again for the takeover this year, and the start is slightly delayed in the Pier Theatre due to VT difficulties creating more suspense…

Martin interviewAnd we’re off – Powdered Cows start with Lobster, Martin fresh from being interviewed by Beth Graham who’s producing an Oxjam Bournemouth Takeover Rockumentary. Powdered Cows @ Pier Theatre, Oxjam Bournemouth 2012There’s been promise of a spectacle from Martin, he starts solo with his electronics for a couple of songs, before a lion and a crocodile join him for Lion Lion, with invite for the audience to take some percussion and create the song together

Catch up with Livvy in relaxed mode @ 60 Million Postcards, Oxjam Bournemouth 2012There’s delays in 60 Million Postcards too, so I catch up with one of the Oxjam queens, Livvy, who’s taking a moment outside.

Boolays @ Pier Theatre, Oxjam Bournemouth 2012

I head back to the Pier where the Boolays are hitting their last two songs, both of them debuts for the band. Soprano sax, twin dueling acoustic guitars and twin female vocals with male accompaniment means I’m in a brief delight.

Jack Grace @ Pier Theatre, Oxjam Bournemouth 2012Jack Grace is solo acoustic today, and sounds absolutely crystal clear on the vocals, while the guitar gently plays along to itself for much of the material thanks to his loop pedal. The fantastic ambience of the awesome pier theatre really works well for Jack’s voice.

Jack Vallier @ 60 Million Postcards, Oxjam Bournemouth 2012I reach 60 Million Postcards in time to hear Chris Woodford have a large shout up by compere Si Genaro. As ever, Chris plays a blinder. Jack Vallier is next up, and chooses to do a set of acoustic covers, starting with Wonderwall, which doesn’t go down as well as Krista’s version did last night. One bit of really good news – Tony Warren is back on the local music scene having had three years away in London; we have a bit of a natter and a catch up.

Citizen Perez @ 60 Million Postcards, Oxjam Bournemouth 2012Citizen Perez (Steve Perry) is up next in 60 Million Postcards, and everyone that’s told me about Citizen Perez has been right – what Steve does here is totally different to the other material he’s produced in the other acts he’s in. He’s doing new material (some involving kazoo) as well as acoustic versions of songs from other acts (like Disco’s Out (Murder’s In) ). Something that works well for him is the novelty kazoo taped to the microphone, such that he can still play guitar whilst using the kazoo. Makes for an interesting combination.

Not Made In China @ Pier Theatre, Oxjam Bournemouth 2012Back to The Pier, and one of my favourites, the happiest band in Bournemouth, Not Made In China are on stage. Their music is in major keys, with some great contrary bass work, big positive rhythms, and the killer vocals which somewhat tell of life in these times. People are clapping along, the only thing missing for me are the dancing idiots like me, but then this is a seated venue after all… Lee (Escape From 98) is with me, between us we cook up a new genre, African Indie, to place Not Made In China.

Annie Winter @ 60 Million Postcards, Oxjam Bournemouth 2012Annie Winter is doing her set at 60 Million Postcards; she’s recruited a full band behind her, Tim on string bass, Ben on cajon and Joe (Potter) on guitar and vocal. She’s singing winsome songs with a laid back feeling, perfect for a dreamy afternoon; with my rushing back and forth I’m feeling I’m not partaking in that vibe. My loss, and yet I wouldn’t have it any other at this moment in time 🙂

Compere Si Genaro introduces Tim Somerfield @ 60 Million Postcards, Oxjam Bournemouth 2012Tim Somerfield is given another of the Si Genaro treatments, and kicks off with last years Oxjam CD contribution There There. Tim’s voice soars over the guitar chord work, as if a bird released to float around the venue, major chords giving a positive lift to the songs. As I leave to reach the pier Tim starts Supervillain Alter Ego, which is on this years Oxjam album.

I’ve missed Our comperes Martin Roberts & Timo Peach @ Pier Theatre, Oxjam Bournemouth 2012Mischa and catch Martin & Timo filling the gap so the Chicken Soup Choir can set up. They interview conductor Julie, who together with pianist Esther inherited a choir and set up Chicken Soup, because its good for the soul as she puts it. The Chicken Soup Choir @ Pier Theatre, Oxjam Bournemouth 2012When the choir are revealed as the curtain lifts, I’m amazed at the size of it. They’re singing various pop rock songs, starting with what I think is Elbow, then Ash and Radiohead (I really don’t know my modern non-local music anymore). All the various instrumental components are sung, with oohs and ahhs and the like to make up the accompaniments.

Southern Ukulele Store Boscombe Ukelele Social @ Pier Theatre, Oxjam Bournemouth 2012Susbus (Southern Ukelele Store Boscombe Ukelele Social) fill the stage as did the choir. Lisa McQuillan and Jonty Johnson share most of the singing honours, though many others are pulled out of the esemble to solo and sing. I must admit much of my attention is on Nacho Jase, who’s playing bass ukelele and hiding at the back, yet seems to be filling the stage with his presence. Paul Tucker is our narrator, and there’s a spare appearance by Martin Roberts on kazoo.

Mutant Vinyl @ Pier Theatre, Oxjam Bournemouth 2012Mutant Vinyl have something special prepared for us tonight – I was with them last night as they were preparing the act for tonight. Ed starts trying to get his sax and vocals working to his satisfaction with the sound guys and the effects processing. Its not working for him so he invites his friend, birthday boy Tim Smart to join the stage. Luke also steps in, as Ed moves to the drums and Tim announces …. County Hospital…. County Hospital takeover the takeover with Mutant Vinyl @ Pier Theatre, Oxjam Bournemouth 2012This means that the charismatic Ed switches to the enigmatic Ed and starts playing the tricked out beats he’s so good at, while Tim, Marc and Luke rock out some wonderful experimental stuff – then promptly leave the stage after the one song. Artistic Impression or what?  [It later transpires that this early exit wasn’t in the plan, its just that Ed couldn’t get the over-FX sound he wanted, so rather than give a bad show in his eyes, took the brave decision to chop his act, even though this causes angst and consternation for some – particularly the poor organisers of the venue].

head of a cuban trojan @ 60 Million Postcards, Oxjam Bournemouth 2012Head Of A Cuban Trojan (HOACT) have nearly played their awesome set out as I walk in, there are just three songs left, and they are amazing. Heavy bass, over egged guitar, a bit of a grunge thing going on. Then they start megaphoning the lyrics just to add to the musical contusion. Love it

El BosCo @ 60 Million Postcards, Oxjam Bournemouth 2012El Bosco are a subset of Disco’s Out (Murder’s In) in appearance, totally different sound. Great melodies on Steve’s guitar, Ttubbs has some great beats going on, and Ed is pumping out the bass like a live one. Proper pop rock stuff, and everything starting to be turned up to the max on the PA. Its a little bit grungy like HOACT, yet not similar as there’s different things going on in the music and the vocals. Again I’m liking it, and am a bit torn to move to another venue.

Get The Tape @ Ontherocks Bar, Oxjam Bournemouth 2012On The Rocks next (as I turn up at The Pier for Momo:Tempo to hear Tim say he’s finished), where Get The Tape have just started. Big screamo shouty rock, upon which regular readers will know my views. Even so, Get The Tape are different from the rest, their drummer is able to play some really fast timely stuff, while the lead guitar is producing great tunage, rather than the mushy chords I normally associate with the style. Another band I want to hear more from in the future, despite my general reservations on the genre.

Know One @ Pier Theatre, Oxjam Bournemouth 2012Know One are playing what’s been dubbed as their last ever set on the Pier Theatre stage. Starting with some long-lost Two Tone material as an intro and sort of soundcheck, they soon move into the moshing stuff they’re known and loved for. Massive bass work, big horns (Callum still running around with that sax) and the others making good with the drums and the chord work. They are really on fire, and they even play their request song that they never normally play, Invisible Reality. I leave before the end, though, for…

Yellowgroove @ 60 Million Postcards, Oxjam Bournemouth 201260 Million Postcards again, this time for Yellowgroove who are in the middle of their 5 hour remix of Spread Your Love (Like A Fever), by all accounts they’ve done everything needed to satiate this noisy and active crowd. They get such a great groove on as they start Manimal, while still managing to take the rip out of their mate Nick. A brief crowd incursion causes a bit of havoc with Simon’s electrics, before they go into their next single Fading Out (available on the Oxjam CD), which is where I move out to On The Rocks.

Escapefrom'98 @ Ontherocks Bar, Oxjam Bournemouth 2012Escape From 98 have just started, and immediately start the heckling going. I have no paper to throw at them in return (their gig the night before in Salisbury culminated in a paper ball fight), so just bellow instead. We need to start a thing going – they have a new song Chorus where they encourage the crowd to shout the title – just shout “NO!”, kids. And they’ll love you forever and stuff :). A great set and a good end to this venue.

Mother Ukers @ 60 Million Postcards, Oxjam Bournemouth 201260 Million Postcards now have the Mother Ukers down, we’re still rammed in here as they play Love Cats then Cars before murdering Bowie (in a nice way), by turning Space Oddity into a chirpy number, while still retaining the modal nature of the song.

The evening ends in fine form with a little auction trying to sell off some particular one-design T-shirts, all to raise more funds for this worthy cause, before we continue partying the night away. I give up the party and take the option to leave for home, since I have diving in the morning.  A great, if wearing, day, thanks to the full on efforts of the team, Katy, Liz, Lauren, Livvy, Jo, Geoff and Andy, and all the others that I’m not aware of.  Please can we do it again, next year?!?

Cellar Bar Solid Air Punk & Rock

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Sepia Daze @ cellar Bar 6 SeptPunk rock night tonight in the Cellar Bar. Sepia Daze are doing their best to blow our minds (and the PA) with their raucous guitar overdrive and manic drums. They’re not big on making a performance, all headbanging and floor gazing, but for those that love their loud rock they are a definitive article.

EF98 @ Cellar Bar 6 Sept I’ve not heard EscapeFrom 98 for a while thanks to my short hiatus, in the intervening time they’ve acquired a second guitarist. James is unable to be here tonight though so its the usual Lee, Lennon and Mandy I’m familiar with. Starting with a debut song they switch between staples such as Punk Rock Princess and a song I can’t mention – not radio friendly – and more new material, good all the same.

They are a real contrast to the band that’s gone before. Same energetic tunes and frantic guitar and drum work, however the entertainment and performance are superb. Messed words thanks to band and audience intervention, and Lee unsurprisingly comedic particularly in his crowd call outs.

Dorset Music Awards Quarter Final 4

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DMA logoThis is a first for a long time – having to queue to get into a gig in Bournemouth, let alone queuing for a Dorset Music Awards Quarter Final. Apparently this can be blamed on Peace Love and Gloves and Yellowgroove, who have each brought large crowds with them.

Darren Hodson & the Southern Comfort @ DMA QF4 2 MarchDarren Hodson & The Southern Companion start us off in style with a bit of a country number before playing some awesome blues. This pretty much marks out their set, all of it with a South Coast USA vibe thanks to keys and Allman-esque guitar. As Chinners puts it, “its Country with Credibilty” – nice turn of phrase there from the rock lord… As they finish, I’m really left wanting more from these guys, definitely a good sign!

Escape from 98 @ DMA QF4 2 MarchEscapefrom’98 do not disappoint with their “don’t care I’m going to enjoy myself” approach. Encouraging us to jump, lunge, and generally get involved, the music is pacy and the songs racy. I’ve seen them play a couple of times now, this I think is the most energetic and enthusiastic I’ve seen them. Its really good in the last song to see them win over so many in the audience, Lennon jumping into the crowd, while Lee encourages most of the place into wild abandon.

Yellowgroove @ DMA QF4 2 MarchThird on tonight are Yellowgroove. I’ve made no bones before about my appreciation of Son Of A Working Man – they start with it tonight, with a big intro as they settle into what proves to be a highly charged set. The place is absolutely storming by this point – and the lads make the most of the huge crowd they’ve brought with them, dedicating songs, and – a nice touch – they have yellow roses they hand out to some of the ladies present. A very hard and nascent Blood On The Flag closes this most spectacular of sets, its just been really good music played and performed really well.

Peace, Love n Gloves @ DMA QF4 2 MarchFinally we get to perhaps the crowd’s most anticipated act of the night, fourth in are Peace Love and Gloves, accompanied by their now recognised fan shouts of “goujon goujon” – its on the T-shirts too just to make sure I don’t make that mistake again. They give the impression from the start that they have so much more to give, setting the expectation of only five songs early, knowing that their fans will no doubt want more. The music is maybe not as raucous as others tonight, its no less intense, songs being thoughtful and provocative – another example of capturing the societal mood at the moment.

The Devils Rejects @ DMA QF4 2 MarchLast on and much anticipated by me at least are The Devils Rejects, having seen them for the first and only time at the heats. They are yet another folk / rock / stomp band, yet with their own twist. They have big bass and drum base, with fiddle or accodian providing the difference. Again there’s lots of action in the crowd to the rocky and up tempo songs – they look to have brought some fans and won more in the process – the laudable intention of the awards, after all.

Brave Mariner @ Cellar Bar 2 MarchI try to carry on to Smokin’ Aces to catch The Wishbones, instead have a great set of songs from Brave Mariner at the Cellar Bar thanks to the former place refusing me entry due to capacity.  I don’t think I’ve seen Brave Mariner before (they don’t feature in the blog) yet I’m sure I’ve seen Angus (guitar) and Joey (vocals) in another band together.  Irrespective, they are playing some crowd pleasing tunes to the packed venue, with loads of jumping and shouting accompanying the songs, some of which are rock-like, some quirky antifolk, and all OK.  What a great end to a great night of really active and pumping music.

Dorset Music Awards Live Heats

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I started writing this halfway through the “DMA40”, 41 live bands over one weekend of amazing live music heats, for reasons that will become obvious as other blog posts materialise, I was unable to publish halfway through the weekend.  For those that don’t know, I had been invited to be on the judging panel for this, the most active event ever on the local music circuit.

I’ve spent 12 hours over two days watching, listening to and critiquing 39 bands (1 extra slipped in at the pre-heat stage, 2 didn’t make it), and while the upfront thought of this was daunting (12+ hours?, 40!? acts), during the day itself it’s an absolute delight.  As ever with the Dorset Music Awards, it’s a highly polished event, and somewhat charged (not as highly charged as some of the later stages can get) as many bands here are aware of how important these awards can be to careers.  I take my role in these proceedings seriously, yet hopefully good humouredly – we’ve all got to live with each other after this, after all…

Overall, the absence of ladies was particularly noticeable – particularly for the rock acts, hence I saw very little to differentiate vocally or visually, and just playing your stuff loud and proud isn’t going to help sway opinion.

It’s a little different this year – the bands can ask us for instant feedback after they’ve played; many unfortunately didn’t take this opportunity, however for those who are interested I have one hopefully two “good thing”s, and one perhaps two “room for improvement”s for each act (looking at it, much of these are repeated comments).  I’ll share these “verbal one liners” that have been shared with those bands that asked, Trevor and Richard have asked me not to publicly share anything about any of our thoughts on details (I’ll be writing individually to bands using the contact email the chaps provide).  I’ll also not be talking about who’s got through and so forth.

Judging Notes

There seem to have been an awful lot of rock bands this year, all playing good stuff, and only some providing anything more than just the music – and we are being asked to judge on live performance above all else.  To me, this means being good at performing, drawing in and working with an audience, a bit of stage movement where possible to suit the music and the mood, it’s not just about having good music, as that’s been proved to reach the live heats. As there were so many rock bands, those that captured our attention for whatever means were seen in a different light than those that just turned up and played (probably really good) tunes.

I’ve also seen many of these acts (25/41), some of those many times before, and some I would count as good friends (12/41).  To keep my impartiality, and prove for Richard and Trevor’s sake that I’m keeping impartial, these acts are “marked” harsher than they would normally.  We supply a “Yes, Maybe Yes, Maybe, No” score for each to enable uu to quickly seek agreement on the majority of the 20 that do or doin’t go through, then “haggle / agonise” over the rest.  I deliberately down-change friends to the next value along, and then rely on the other judges to provide their thoughts to put a band through either directly, or into the melting pot.

I also cannot count past performances (good or bad) into the mix.  I purely have to go on what is presented to me on the day.  This is very harsh, because the number of times I’m out mean I’ve seen bands generally play good gigs and bad gigs (that’s why I still keep the blog going after the first impetus, so I can look back at bands to see what I think).  This will often play against a band in these type of do-two-song competitions, as in the back of my mind I think I know they can do better, or worse, than what they’ve done.  E.g. I saw Mobius Strip on the Saturday night, not twigging they’d be back on the Sunday in the line up.  They performed well both times; on Saturday night they had a massively active crowd going for them, which wasn’t there in entirety on the Sunday.

Feedback Comments

As ever, these are my opinions, offered (as ever in my blog) in the interests of encouragement and yet to provide opportunity for improvement.  My opinions aren’t offered to try and pull down or discourage, but in the hope that those that go through will know something to try in the next rounds perhaps, and those that don’t go through perha

Day One

So to some brief notes, in order of appearance, we have:

Sepia Daze – Tough opening as the first band, and did good with this.  Energetic music, would like to see more audience engagement during songs.

Bad Magic – Good solid rock, well played and balanced.

Darren Hodson & The Southern Companion – great South Coast (USA) sound, longest name here, does the “Darren Hodson” bit need to be present? (later discussed it sets them apart from Darren Hodson solo).

States Of Matter – Tidy endings and well conducted to do this. Bit cliche rock. Consider more audience engagement.

Krista Green – Enjoyable.  Visibly get the crowd on your side if you can.

Veetacore – Good 80’s style (retro). Good crowd engagement – looking around etc.  Could smile a bit more.

Escapefrom’98 – Better than last time seen (see last week’s write up).  Good ska/punk and a lot of fun.

Robin Joynson – Good catch of vocal levels (enabling tuning) between songs. Good demonstration of confidence.

Voice of Reason – Lot of fun. Good voice.  Bass player hat entertaining (kept slipping over face).

Estee’s World – What you did would be good for street work, consider finding a DJ for live performance?

Ollie Mutter – Good working the crowd. Would appreciate more interest going on with the guitar work.

Pachango – Awesome.  Never apologise or comment from the stage on how feel about own performance.

The General Public – smashed it (was an amazing performance).  Could Hope (keyboard) stand up?

Sean Hatton (Solo) – Well played, well sung.  Brave and confident doing a new song (and telling us about it).

Know One – Again, another smashed it performance.  Uniforms good (only band noted to have a “look”).

Lets Go Safari – Liked the harmonies.  Good guitar work, but didn’t really “grab” me

Aaron Gregory – Can tell he’s absolutely passionate about the music, yet guitar sounded unclear and “mushy”.

Icarus Falling – Good contrast, and good vocal, though was unsure by the mumbled introduction to songs.

Shaun Gary Palmer – Good vocals and good guitar style, though it sounded “mushy”.

Yellowgroove – Love it. Like the jumping around and the audience incursion.  Normally have a crowd – didn’t see them this time.

Peace Love and Gloves – Good commercial sound, brought a huge crowd (though unsure what they were shouting).  Personally not a fan of the shouted lyric.

Day Two

Simon Lane – Good songs, good vocal range.  Unsure about the use of the music stand.

Dirty Jerkers – Good and loud (not overblown) despite the early start

Blue Stone Walls – didn’t show (think the same band didn’t show last year)

Tom Clements – Want to see again.  would be good for Bournemouth Unplugged (if it runs)

Constellation – Good engagement with the crowd. Second song a winner, unsure about the first (uniqueness)
Monkey’s Uncle – Good crowd winner.  Good harmonies. Cheesey dance, but I like it.

The Devils Rejects – Good songs well played.  Would like to see more stage animation to suit the music (second song better than first). [hard to find on facebook…]

Switchmen – didn’t show

Manikin Time Shark – Like the space they’ve given to each other to solo in.  As this is progressive rock (and niche) consider also dropping keys out for a time too, to make the music more accessible for non-prog fans.

JCJesus – Good bass and violin combination.  Not my preference of musical style but well performed.

Yoofs – Worked on the look re:hair.  Get out there and gain gig experience (easy to say, hard to do I know).

Paint It Blue – Tight band.  Clean guitar work. Hannah is an asset. They noticeably stuck around for much of the day.

Empire Affair – Good tunes and well performed.  Felt they lost the thread through being overblown loud.

Sketchy – Liked the keys work (although they didn’t seem to – used the F word).

Tim Somerfield – Here all day (+++). Good technique, ace timing (counting silence).

Space Ace Robot – What ?!?.  They’re enjoying what they’re doing, though it’s pretty inaccessible – futuristic Jazz.

Mobius Strip – Lots of moving about in keeping with the music.  Need to get the crowd moshing around.

Jack Grace – Like the groove, and like the vocal lines without the band being full on – different.

Pump Action Radio – Good solid rock, well played. Would need to be a bit more animate on stage for me.

The Deltorers – Good vocal work, and OK sounds. The live performance wasn’t stand-out (seen a lot of rock this weekend). [say they’re from Bristol]

Overall Impressions

What am I walking away with from seeing all these acts? Which ones were memorable? Which ones would I like to see go further?

Veetacore impressed me – they were the only band doing what they’d done – and I still have “Dogger Bank” running round my head, despite hearing loads of music since. (I have played this on the show, but even so it’s just memorable). They also one of the groups to feature a female lead, doubly memorable.

Pachango put on a great show – everything seemed to come together for them, though negative comments from the stage at the end spoilt it for me. Remembering back to last year (which I can’t count for the judging part of the job), the performance this time was so much better.

Know One seemed to be the only group that had thought through their appearance with regards a “uniform look” of black shirts and ties, they also played excellently.

Tim Somerfield seemed to have arrived before I did on the Sunday and stuck around for near enough the whole day.  He also played well, though his legendary customary crowd vitally didn’t seem to make an appearance for his performance. I also found out (at the end of the judging process) that he was supposed to have had a fuller band with him

Day & Night

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A Cushion for the legendary Pete Christie and his magic fingers, as made by NessBeen a busy bee today, cycled to Swanage for a railway thing, and took the opportunity to drop in on Pete Christie, Ness had made a cushion for his gigging stool which needed delivery. On return from there after a full day Ness and I go straight out to Soho in Christchurch with some of Ness’ friends (£2 for a squash – racketeering is alive and well in some areas!). On the way to the car we drop into the Thomas Tripp as Jon Cotton is there doing a rare pub gig, however by this time Mrs H really wants to go home, so we leave and I head to Inferno.

Kimari Raven & Kat Hattersley @ Inferno 14 JanKimari Raven is doing an entertaining set, she has Kat Hattersley with her on cello providing some variety. She starts an audience requested song, however it requires a capo she hasn’t got, so the key falls apart and she collapses in a heap of laughs and says some naughty things! Directly into her take of Nights In White Satin for a good recovery then into some more of her original material, including oldie I Need You. I’ve commented before on her playing confidence, this confidence has now matured into full on audience interaction, including dealing with hassle caused by the usual rowdy non-interested-musically crowd found here.

Escape From 98 @ Inferno 14 JanI’ve managed to somehow miss Escape From 98 at the other gigs they’ve played, so its feeling a little bit like cheating, seeing them perform a full set the week before I’ll be including them in the judging at Dorset Music Awards. They do fun punk rock, helpful as they have one of the loudest drummers in town in Mandy. They treat us to a brand new song, which is flaffed up a little bit, but its a lot of fun and they laugh it off recovering nicely.

EF98 muckabout after the messed gig :)To be honest its good they’ve got the humour, as over the slightly shot PA they would otherwise come across as yet another too loud band; their nicely harmonised lyrics are being lost within the energetic and wild music. This is sorted for a ska number, the title of which I can’t publish here (Radio Rules). There are other things not going all their way – Lennon’s guitar amp intermittently seems to give up the ghost, and Lee is struggling with memory issues – he seems to have forgotten a number of the lyrics, which he just has to laugh off – it’s good to see them not getting up tight and wound up by this – as demonstrated by their off stage antics…

Quinns Quinney @ Cellar Bar 14 JanOver to the Cellar Bar, where Quinns Quinney are taking a break (to retune their 12 string allegedly) before entering into costumed farmyard madness. I’ve not seen these guys play for a long time, a couple of years at least, and they’ve had a number of lineup (hence instrument) changes, and a lot more rehearsal time.

Quinns Quinney watering can trumpet! @ Cellar Bar 14 JanRather than making the play about being funnily shambolic, they are now a full on cowfolk outfit, though the exotic instruments are still a feature (suitcase drum, kazoos, watering can 😉 !) Also still present are the medleys – Eye Of The Badger ?! into Take Me Home to Don’t Go Chasing Waterfalls. They try a new song, Charlie Brown, which works well. Mama Don’t Like… is still in the set, worked over and more presentable than before when I saw it, as are many of the other medley staples included tonight, meaning a good time is had by all in the packed bar.