Dorset Music Awards Quarter Final 3

Leave a comment

Dirty Jerkers @ DMA QF3 24 FebWe start early tonight with Dirty Jerkers, who have been carried over from last week due to illness. They have sond good guitar sounds for their opening song that I like, and are throwing plenty of life into their set, for the most part (the bass player rarely turns to face the crowd). Even though there’s a less than normal crowd due to the early start – up to near capacity by the time they finish, the songs are squeezed in short, to get as many in in their set time. Its a shame they need to retune halfway through the set, as they lose the momentum gained from the third song, a strutty number which shows the variety these guys have, and let’s them visually entertain too. It’s a good set, I just feel I’ve wanted more verbal encouragement from the stage to the crowd to mosh, as the music and their antics require it ūüôā

Voice Of Reason @ DMA QF3 24 FebVoice of Reason¬†always pull out a lot of stops musically and visually, within the limitations of the showcase format. Singer Addie Jay encourages us to get involved, he’s also worked hard on the promotional material, good quality flyers etc. As an example of a break from their otherwise regularr hard rock, Dead And Gone has an amazing a capella start, voices in unison, while the drummer juggles his sticks in time to the beats during the song.

Veetacore @ DMA QF3 24 FebI’ve previously described Veetacore¬†as a good retro 80’s sound, doing them a bit of an injustice. They are modern while having that cool throwback with the music, aided by clever (one handed! – the other holding the mic) synth work against thumping bass riffs. Becky keeps name checking, and forward throws teasers about gigs and a new EP, which is a good thing. Tom’s guitar pedal board deserves its own photo – its huge.Veetacore - pedal board (well oversize) They also sing harmonies on occasion, and are pretty animated to the punchy music, they go down well with the crowd too.

The General Public @ DMA QF3 24 Feb I’m expecting great things from The General Public, and they don’t disappoint. Starting with a bit of a slant to Talking Heads, they next move into the funkier numbers I like the best from them, starting with Disillusioned Generation, a brilliant capture of the current mood of the nation, whether old or young. Mike’s faces are something to behold, and the dischords between bass and keys (standing up makes a big difference to the visual dynamic) work really well for me. Richie’s drumming is absolutely spot on, I just hope others have seen it this way too for them to have enough votes to push into Mr Kyps, which is what all the acts at this stage are working towards.

Pachango @ DMA QF3 24 FebOur next act is more an experiment to squeeze the ten musicians and percussionists of Pachango¬†on stage together, which works well enough on the wide Winchester stage to also give them room to jump around to the rhythms. They are on good form tonight, punching through the Latin influenced numbers, introducing a new one, including some of Selby’s beat poetry, all in all performing a good set.

Pump Action Radio @ DMA QF3 24 FebPump Action Radio¬†are all that I expected of the theatrical rockers that they are. Big chords. Big riffs. Big jumps. Big hits. Big sound. And all tight with it. There’s a good mix of the heavy rock, the lighter guitar work, the solo vocals (appropriately screamed out) and the varied use of the drum work, along with encouragement for use to participate too. A good live act, which is what this is all about.

Personally I’m pleased that all the acts in the Quarter Finals have had such good performances, it confirms to me that we have such an amazing scene here in the area and that all those chosen to reach this far have been worthy of their places. ¬†Texas Red @ Smokin Aces 24 FebA quick sortie into Smokin’ Aces finds¬†Texas Red entertaining the packed bar, though they are widely ignored by too many people in here¬†they play some good tunes and put on a good act, a good end to a great night.

Advertisements

Dorset Music Awards Quarter Final 2

Leave a comment

Dirty Jerkers¬†can’t make it due to acute illness, so get well soon. Shaun Gary Palmer @ DMA QF2 17 FebThis means the starter is Shaun Gary Palmer, who plays an awesome looking and sounding acoustic guitar. He starts with the intricate fingered chords that won his style over to me in the heats, before slipping into some sombre strummed songs, before livening things up again near the end of his 20 minute set.

Sean Hatton¬†is next; Sean Hatton @ DMA QF2 17 Febhe demonstrates a wider range of strumming chord techniques, picking some of the notes, good twiddling with upbeat chords keeping it happy in nature. He’s using a variety of capo settings to provide an interest to the music, while keeping his vocals in what is probably a comfortable range for him.

Bad Magic¬†wake usBad Magic @ DMA QF2 17 Feb all up by playing some awesome rock, a stunning contrast to the previous acoustic music. Tuneful, loud, brash, with enough attitude to take the building by storm, its hard to believe they’re not out of their teens yet. All the posturing is here, backed up by good music; they also throw in a couple of ballads as if to show they can do those too. Lead singer and guitarist Chris shows good vocal control, able to wail them out long and loud, holding notes on choruses like a pro.

Know One¬†finish off the night in style. SKnow One @ DMA QF2 17 Febinger / MC Dean and the sax player take time out to jump off stage and join the inevitable mosh pit. They finish with Potential, which has a big rock riff in the middle , totally broken time with the rest of the track, a 1-2-3 from Dean and they all break back into the fast ska-reggae beats they’ve been playing, totally tight. Kudos also for giving shouts to the rest of the artists tonight.

I finish in the Cellar Bar Jouis @ Cellar Bar 17 Febwhere the auditory delights of Jouis are entertaining the massed crowd. Hearing them do their funk / soul / psychedelic groove as a full band, on a full PA, with a very active and vocal audience, is another treat for my now well-over indulged ears.

Dorset Music Awards Live Heats

5 Comments

I started writing this halfway through the “DMA40”, 41 live bands over one weekend of amazing live music heats, for reasons that will become obvious as other blog posts materialise, I was unable to publish halfway through the weekend. ¬†For those that don’t know, I had been invited to be on the judging panel for this, the most active event ever on the local music circuit.

I’ve spent 12 hours over two days watching, listening to and critiquing 39 bands (1 extra slipped in at the pre-heat stage, 2 didn’t make it), and while the upfront thought of this was daunting (12+ hours?, 40!? acts), during the day itself it’s an absolute delight. ¬†As ever with the Dorset Music Awards, it’s a highly polished event, and somewhat charged (not as highly charged as some of the later stages can get) as many bands here are¬†aware of how important these awards can be to careers. ¬†I take my role in these proceedings seriously, yet hopefully good humouredly – we’ve all got to live with each other after this, after all…

Overall, the absence of ladies was particularly noticeable – particularly for the rock acts, hence I saw very little to differentiate vocally or visually, and just playing your stuff loud and proud isn’t going to help sway opinion.

It’s a little different this year – the bands can ask us for instant feedback after they’ve played; many unfortunately didn’t take this opportunity, however for those who are interested I have one hopefully two “good thing”s, and one perhaps two “room for improvement”s for each act (looking at it, much of these are repeated comments). ¬†I’ll share these “verbal one liners” that have been shared with those bands that asked, Trevor and Richard have asked me not to publicly share anything about any of our thoughts on details (I’ll be writing individually to bands using the contact email the chaps provide). ¬†I’ll also not be talking about who’s got through and so forth.

Judging Notes

There seem to have been an awful lot of rock bands this year, all playing good stuff, and only some providing anything more than just the music – and we are being asked to judge on live performance above all else. ¬†To me, this means being good at performing, drawing in and working with an audience, a bit of stage movement where possible to suit the music and the mood, it’s not just about having good music, as that’s been proved to reach the live heats. As there were so many rock bands, those that captured our attention for whatever means were seen in a different light than those that just turned up and played (probably really good) tunes.

I’ve also seen many of these acts (25/41), some of those many times before, and some I would count as good friends (12/41). ¬†To keep my impartiality, and prove for Richard and Trevor’s sake that I’m keeping impartial, these acts are “marked” harsher than they would normally. ¬†We supply a “Yes, Maybe Yes, Maybe, No” score for each to enable uu to quickly seek agreement on the majority of the 20 that do or doin’t go through, then “haggle / agonise” over the rest. ¬†I deliberately down-change friends to the next value along, and then rely on the other judges to provide their thoughts to put a band through either directly, or into the melting pot.

I also cannot count past performances (good or bad) into the mix. ¬†I purely have to go on what is presented to me on the day. ¬†This is very harsh, because the number of times I’m out mean I’ve seen bands generally play good gigs and bad gigs (that’s why I still keep the blog going after the first impetus, so I can look back at bands to see what I think). ¬†This will often play against a band in these type of do-two-song competitions, as in the back of my mind I think I know they can do better, or worse, than what they’ve done. ¬†E.g. I saw Mobius Strip on the Saturday night, not twigging they’d be back on the Sunday in the line up. ¬†They performed well both times; on Saturday night they had a massively active crowd going for them, which wasn’t there in entirety on the Sunday.

Feedback Comments

As ever, these are my opinions, offered (as ever in my blog) in the interests of encouragement and yet to provide opportunity for improvement. ¬†My opinions aren’t offered to try and pull down or discourage, but in the hope that those that go through will know something to try in the next rounds perhaps, and those that don’t go through perha

Day One

So to some brief notes, in order of appearance, we have:

Sepia Daze РTough opening as the first band, and did good with this.  Energetic music, would like to see more audience engagement during songs.

Bad Magic – Good solid rock, well played and balanced.

Darren Hodson & The Southern Companion – great South Coast (USA) sound, longest name here, does the “Darren Hodson” bit need to be present? (later discussed it sets them apart from Darren Hodson solo).

States Of Matter – Tidy endings and well conducted to do this. Bit cliche rock. Consider more audience engagement.

Krista Green РEnjoyable.  Visibly get the crowd on your side if you can.

Veetacore – Good 80’s style (retro). Good crowd engagement – looking around etc. ¬†Could smile a bit more.

Escapefrom’98 – Better than last time seen (see last week’s write up). ¬†Good ska/punk and a lot of fun.

Robin Joynson – Good catch of vocal levels (enabling tuning) between songs. Good demonstration of confidence.

Voice of Reason РLot of fun. Good voice.  Bass player hat entertaining (kept slipping over face).

Estee’s World – What you did would be good for street work, consider finding a DJ for live performance?

Ollie Mutter – Good working the crowd. Would appreciate more interest going on with the guitar work.

Pachango РAwesome.  Never apologise or comment from the stage on how feel about own performance.

The General Public Рsmashed it (was an amazing performance).  Could Hope (keyboard) stand up?

Sean Hatton (Solo) РWell played, well sung.  Brave and confident doing a new song (and telling us about it).

Know One – Again, another smashed it performance. ¬†Uniforms good (only band noted to have a “look”).

Lets Go Safari – Liked the harmonies. ¬†Good guitar work, but didn’t really “grab” me

Aaron Gregory – Can tell he’s absolutely passionate about the music, yet guitar sounded unclear and “mushy”.

Icarus Falling – Good contrast, and good vocal, though was unsure by the mumbled introduction to songs.

Shaun Gary Palmer – Good vocals and good guitar style, though it sounded “mushy”.

Yellowgroove – Love it. Like the jumping around and the audience incursion. ¬†Normally have a crowd – didn’t see them this time.

Peace Love and Gloves РGood commercial sound, brought a huge crowd (though unsure what they were shouting).  Personally not a fan of the shouted lyric.

Day Two

Simon Lane РGood songs, good vocal range.  Unsure about the use of the music stand.

Dirty Jerkers – Good and loud (not overblown) despite the early start

Blue Stone Walls – didn’t show (think the same band didn’t show last year)

Tom Clements РWant to see again.  would be good for Bournemouth Unplugged (if it runs)

Constellation – Good engagement with the crowd. Second song a winner, unsure about the first (uniqueness)
Monkey’s Uncle – Good crowd winner. ¬†Good harmonies. Cheesey dance, but I like it.

The Devils Rejects – Good songs well played. ¬†Would like to see more stage animation to suit the music (second song better than first). [hard to find on facebook…]

Switchmen – didn’t show

Manikin Time Shark – Like the space they’ve given to each other to solo in. ¬†As this is progressive rock (and niche) consider also dropping keys out for a time too, to make the music more accessible for non-prog fans.

JCJesus РGood bass and violin combination.  Not my preference of musical style but well performed.

Yoofs РWorked on the look re:hair.  Get out there and gain gig experience (easy to say, hard to do I know).

Paint It Blue РTight band.  Clean guitar work. Hannah is an asset. They noticeably stuck around for much of the day.

Empire Affair РGood tunes and well performed.  Felt they lost the thread through being overblown loud.

Sketchy – Liked the keys work (although they didn’t seem to – used the F word).

Tim Somerfield – Here all day (+++). Good technique, ace timing (counting silence).

Space Ace Robot – What ?!?. ¬†They’re enjoying what they’re doing, though it’s pretty inaccessible – futuristic Jazz.

Mobius Strip РLots of moving about in keeping with the music.  Need to get the crowd moshing around.

Jack Grace – Like the groove, and like the vocal lines without the band being full on – different.

Pump Action Radio – Good solid rock, well played. Would need to be a bit more animate on stage for me.

The Deltorers – Good vocal work, and OK sounds. The live performance wasn’t stand-out (seen a lot of rock this weekend). [say they’re from Bristol]

Overall Impressions

What am I walking away with from seeing all these acts? Which ones were memorable? Which ones would I like to see go further?

Veetacore impressed me – they were the only band doing what they’d done – and I still have “Dogger Bank” running round my head, despite hearing loads of music since. (I have played this on the show, but even so it’s just memorable). They also one of the groups to feature a female lead, doubly memorable.

Pachango¬†put on a great show – everything seemed to come together for them, though negative comments from the stage at the end spoilt it for me. Remembering back to last year (which I can’t count for the judging part of the job), the performance this time was so much better.

Know One¬†seemed to be the only group that had thought through their appearance with regards a “uniform look” of black shirts and ties, they also played excellently.

Tim Somerfield seemed to have arrived before I did on the Sunday and stuck around for near enough¬†the whole day. ¬†He also played well, though his legendary customary crowd vitally didn’t seem to make an appearance for his performance. I also found out (at the end of the judging process) that he was supposed to have had a fuller band with him

Oxjam Takeover 2011 Saturday 22 October

2 Comments

Oxjam 2011 logoIt was at Oxjam last year that the idea was first asked of me (by the lads from much missed Bel Casino) to write up the gigs I go to, to help promote the bands I see and big up this amazing music scene.

Now one year on, this blog has grown its own shape, and the Oxjam takeover is bigger and better than ever. Its all started for 2011 at On The Rocks, where the Grubnium DJs are starting things off, and 60 Million Postcards, where I’ve come down for an acoustic afternoon with Ness.

Si Genaro @ Oxjam - 60 million postcardsJohn Llewellyn is just finishing, Sofi Reed¬†is just heading out having started things off, and Si Genaro takes to the stage. He’s playing some more laid back and contemplative numbers, perhaps as its an afternoon chill; Ness likes that he has a different style to many other artists. Si Genaro with Kimari Raven @ Oxjam - 60 million PostcardsAt the end he’s joined in a duet by Kimari Raven, and final song has MC Jon on stage with him.

Tim Somerfield @ Oxjam - 60 Million PostcardsTim Somerfield takes Si’s place, again staying chilled at the start. Saying he’s chilled though, there’s a lot of fast left hand fretwork going on in conjunction with the chorded right hand. Tim picks up the pace and goes more upbeat toward the end, making more of the crowd that have turned up for him.

Chris Woodford @ Oxjam - 60 Million PostcardsThe penultimate artist this afternoon is senor Woodford, just him and his 12 string guitar, playing it as brilliantly as ever, though he seems to only do a short set.

Krista Green @ Oxjam - 60 Million PostcardsKrista Green dashes in, cold off the street having busked for a while, provides great musical entertainment, yet its time for us to leave, having been here for a few hours, Ness needs to get home and I prepare for the night to come…

Sofi Reed @ Oxjam - SpyreI start the night at The Spyre, where Sofi Reed is kicking things off for the evening, having also started it all earlier at 60 Million Postcards. There are a few lighting and power problems – as I walk in Sofi ends her first song with no PA, which she wittily and humourously blames on my walking in, in this intimate environment. She plays favourite Breathe, then Broken Windows. As she starts the latter, the room descends into darkness as everything trips out. She soldiers on totally alone, in the dark, and still sounds fantastic!

MC Pat Page with County Hospital
Ed Pope back in Bournemouth

County Hospital @ Oxjam - WinchesterOn to The Winchester, where County Hospital are in full swing. They play their first song they ever played here in the Winch at their first gig, Mystery Shopper. The enigmatic Ed Pope is back in town, giving it large on the drums, its also great seeing Tim so relaxed and enjoying himself at this first County Hospital gig in town for a while. Luke on bass seems just one big grin. Pat Page joins them for one song as a guest MC, something different again, while Tim mucks about on an iPad. Slipping into their closer, Clare joins the stage to add some vocal changes to what has possibly been the best and most intense performance I’ve seen them give, ever.

Not Made In China @ Oxjam - Smokin AcesThe happiest band in Bournemouth, probably (Not Made In China) are in Smokin Aces starting off the nights festivities. DJ Trev from the Blind Pig Hot Swing Floor Show is hosting this evening. Not Made In China start as they mean to go on, straight into an African style guitar led swing / calypso. Trevor Hill introduces Not Made In China @ Oxjam - Smokin AcesThey also have some great harmonies going on.

Martin Roberts - Safari Park @ Oxjam - WinchesterBack to The Winchester and Safari Park (yet another band the irrepressible Martin Roberts has formed) have replaced Powdered Cows on the bill. I’ve not heard this 3 piece before, all three sing, Martin is on bass with this one. They are playing eminently accessible music, tuneful and enjoyable, not at all the quirky yet fun material I was expecting from knowing the other acts Martin is behind.

Trac Pawley introduces Mischa @ Oxjam - SpyreOn again to The Spyre. Trac Pawley of Language, Timothy! is hosting the Spyre, with The Chairman providing musical interludes. Masters Of None (Chris Woodford and Jeven) are halfway through their set, making good magic on their dual guitars. Masters Of None @ Oxjam - SpyreIts all instrumental, which makes it all the more special, especially since Chris takes it on himself to barrack some of the audience (well, Mischa and myself) in this great venue. 

Mischa @ Oxjam - SpyreMischa is on next, he’s lost his Merry Men this time and is performing solo, however he’s promised a few changes to his set as a result. He starts strong, announcing a feed line I gave him regarding DMA (billed as soloist and came with a band) whereas now he’s billed with band and is himself. Nice when people take what you say and reuse it ! Back to the music, as expected he’s animated and energretic, even though he’s come back from Devon, just for this gig. The Bands That Saved My Life is a song I don’t think I’ve heard before, though I must have done, full of angst yet still upbeat and happy. Love it.

Spiders @ Oxjam - WinchesterSpiders are another new band to me, they are playing good solid rock pop when I walk in to The Winchester. Strong drums and bass work with guitar riffing over the top. These guys then grab Ed Pope for his sax skills and they break into a form of jazz funk number for his appearance. The two guitarists are sharing vocals across songs since both have decent voices. We also have some dance moves being busted at the front of the crowd, good stuff.

https://www.facebook.com/media/set/?set=a.230707500316938.61483.100001330690156&type=3#!/photo.php?fbid=234519013269120&set=a.230707500316938.61483.100001330690156&type=3&theaterI catch the last 3 songs of Empire Affair‘s set at Champions. I’m personally pleased to see a largish crowd here too. The lads are giving it large and loud, I’m pleased I made the detour to visit. Neil is doing just about everything he can to inject energy and verve into the performance, which the others resolve with their pumping tunes.

Mutant Vinyl front line @ Oxjam - 60 Million PostcardsI arrive at 60 Million Postcards in time for Mutant Vinyl‘s set, just missing the ends of both Kentucky Fight Club at Smokin Aces, and Dirty Jerkers here at 60 Million Postcards. Mutant Vinyl¬†announce this as their reunion, and its a bit different than their last gig in town, full 6 piece plus roadie Mitch. They are funking around with the rhythms something amazing, Mutant Vinyl back line @ Oxjam - 60 Million Postcardswith Ed’s lyrical eloquence interspersed with little sax solos in the opening number. All this while being able to hear “f… all” through the monitors (as he puts it). As expected there’s a full crowd here all in anticipation of the return, covering the full length of the long bar at the start, and quite reaching to the door by the middle of the set. Crowd to the doors @ Oxjam - 60 Million PostcardsAt the end Acid Honey is inevitably thrown in, however totally remixed live and thrown around, both pumped up, then taken to a chilled out vibe, as Pat takes to the stage briefly to MC some stuff. The band carry on building a crescendo from chilled to full on crashing rock chords at the end, to immense applause and cheers.¬†Mutant Vinyl are back (for this one night only, at least)!Mutant Vinyl Sax break @ Oxjam - 60 Million Postcards

Peace, Love & Gloves @ Oxjam - On The RocksOn The Rocks¬†has¬†Peace, Love and Gloves¬†doing their rock thing to their usual huge crowd of people, all jumping around to the incessant beats. They also feature MCs doing bits and pieces of the vocal line, turning an otherwise three piece into five. Having heard a very early demo tape, almost acoustic in nature, I’m impressed with their live set, and the huge energy they produce from stage, send into the rowd, thhen feed off to push for a better gig and show

Michael Wookey @ Oxjam - SpyreI started the evening at The Spyre, and end here (well, almost), right at the very end of Michael Wookey‘s set, and manage to hear his encore, which is a simple number on onmichord and vocal synthsizer. He’s also shirtless when I walk in, I hear afterwards it was as intense a performance as an artist can offer; right on the boundaries of music and fine art, and is loved all the more as a result.

DO(MI) @ Oxjam - 60 Million PostcardsJet down to catch the last last act – Disco’s Out (Murders In) at 60 Million Postcards¬†again (running a little late). Like so many of the acts tonight, they are really going for it and giving out one of their best sets ever. The usual unusual costumes are evident; they end in grand style, with Martin ending up on the drum kit hiding in the ceiling… DO(MI) finale @ Oxjam - 60 Million PostcardsA great party end to a great party night, with DJs on after to continue into the small hours.

I head on to¬†Smokin Aces just to see what’s happening, and really enjoy the set played by DJ L33R0y, though I can only stand the pace until 2am or so, having been out for nearly 12 hours!

In all, 6 venues, 8 comperes/DJs, 17 bands and artists¬†all crammed into 1 day/evening … How cool and together is this music scene in Bournemouth?!?¬† – please remember the Oxjam Bournemouth CD is available on bandcamp – 22 tracks for ¬£5.