Catherine Burke @ Latin Quarter Folk Club 12 FebI’m at the Bournemouth Folk Club for Latin Quarter’s warm up gig for their Ocean Head / Latin Quarter Reunited tour, before they depart for Hamburg for their German leg. Catherine Burke opens with five of her cheeky numbers from her new album. Her songs are witty and humourous, and she is very expressive here, on her own patch, without the rest of her band as she had at the launch; very much unlike she can be in the music pubs in town, too.

Latin Quarter take to the stage to rapturous applause, many people here have travelled long distance, going by the facebook messages. They start with a couple of older numbers I don’t know, before explaining and launching into Legalise It (The Making Of Al Capone) – along with a Korean interjection from someone in the audience which causes amusement.

Latin Quarter Album & Tour Launch @ Folk club 12 FebLatin Quarter had their big time in the 80’s, though they continued with varying lineups and labels for some time. The 80’s style is still reflected in the instruments used (Yamaha DX 7 anyone?), though the music being produced on these vintage classics is bang up to date. A melodica also features. Mick Jones writes some catchy yet incisive lyrics, as reflected in 4th song Even Superman.

After another I don’t know, Miss Teen USA is introduced, inspired by this youtube video of Miss South Carolina asked why so many people in the US can’t place America on a World map. Here Steve Skaith plugs in his phone to play the intro of the song from the youtube video, which the band then pick up on as per on the album. A little clue to the music – no electric guitars or drums on stage, all the additional sounds are produced on Steve Jefferies’ wonderful array of synths and keyboards, the main reason to my comments about the 80’s sound.

We are led into a remix of Radio Africa, which they say isn’t their greatest song, Steve Skaith jests he didn’t think he’d still be playing it after 30 years. To be honest I had no idea I’d be hearing this live, 30+ years since being introduced to it courtesy of Peter Powell on Radio 1 (I can still remember his back announcement of it now, something along the lines that Radio Africa was the most beautiful and impacting song he’d heard all year)

The set continues, interlacing Ocean Head songs with numbers from the extensive back catalogue. Special mentions here for Blameless, an oldie about Judy Garland, and a reggae tribute Pyramid Label, with the prospect of it all going wrong as they joke – I hear Steve Jefferies utters the classic line “good enough for Jazz “. They encore with Church On Fire, yet another I don’t know, yet its incredibly busy, Yona and Steve S sharing some complex counter round lyrics, Greg’s bass lines really tricksy, and Steve J overlaying complex chords and harmonies.  A great sounding end for a great night.