Bit of a hit and miss show tonight – my guests baled on me with about 20 hours notice, so I populated the time instead with many promoters providing details of their wares:

Trev Hill from Dorset Music Awards: final in the O2 Academy this Saturday – unheard of to have local bands in on a Saturday night. Trev also talked about Smokin’ Aces (feat. Mutant Vinyl this Friday).

Tone Foster from bhone: a weekend of fundraising gigs for Julia’s House and Dorset Cancer Fund over the May Bank holiday

Andy Razz from Chaplins: the weekend highlights inc. Andy Stock band supporting Friday night’s entertainments.

Pete from Apples & Snakes regarding Thursday night’s poetry slam competition between Southampton and Bournemouth.

Finally a phone in from Dave of the New Forest Pit Ponies, who will be guesting on the Radio Boscombe show in a could of weeks.

As usual at present, I leave early to dash to O’Neills for Bournemouth Unplugged. Mischa starts and again I’m leaving my judging comments here.

Mischa

MischaVibrant. Great Up stuff
Timed percussion on Air I Breathe
City Breaks improv jam percussion. Good effort & different with the tone poem style. Don’t need to tell us (upfront) its a new untried song – we wouldn’t know otherwise
Only applause from crowd during set, whoops only from me that I can hear!.
Starting to sound samey y 3rd song Memories
Lots of patter from Mischa, including judge schmoozing !
lots (too much?) ukelele compared to cello
Great bop at end with Overworked & Underpaid. Typical Mischa putting his all into it.

Us judges get told off at the end for applying some constructive criticism vocally during our feed back section.
Only nice comments allowed vocally in the pub, it seems.  Specifically we’d mentioned the bit about ukelele rather than cello, and Mischa had changed his set that night as a result of comments from the Dorset Music awards.  My response was to ask him to turn and read the screen (where the Bmth Unplugged logo was displayed)!.

Dan Rumsey

Dan RumseyStill got those untrimmed guitar strings (that I commented on at DMA heats)
Nice choice of progressive chords in 1st song (missed name)
She Wolf different style guitar still similar vocally
Has a (vocal) posse with him, yet not really catching on around the pub (unlike Bob Fletcher’s masterclass last week)
“La’s” are brave and show confidence that hasn’t really been that present so far. 5th song.
Also tuneful wailing going up the octave
His stuff grows on you.

Phil King

Phil KingSounds surprised to have a posse. Starts with Life’s Rich Tapestry, one of my faves of his
Good variety chords, finger work,
Good banter to cover tuning, and noticed the out of tune (+1 tech recovered)
2nd Irish style ringing the tempo changes.
Clear lyrics throughout so can properly judge the song writing ability
Come Together is done in a totally gritty manner, taking a low chord approach rather than the high chord in the riff
Good intro to Iridescent Lightbulbs showing off a range of techniques before launching into a solid yet repetitive sequenced riff, broken by bridges and false endings
Good variety of song choices in the set overall – high originality for that.

David Mansell

David MansellGreat ballad opener – rich
Keeps it to a low key set for all songs
Clear voice, rich resonance on the guitar.
Great story telling through the songs.
Not really demonstrating different styles either vocally or on the guitar
Not the type of music to cut across here, which is a shame as it’s good mellow stuff

 On the night the two acts to gvo through are Phil King and Mischa – the latter only clear by half a point.  I feel a bit churlish as Mischa hasn’t stuck around, I suppose being ill and yet still perfoming like he has has to be taken into considedration!

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