DMA logoAs with the other heats, tonight I’ve seen and heard 5 high quality acts, and would not be in a position to pick any clear winners were I to be asked.

Seems the voters can’t either – no specific spoilers, but I’ve heard the voting is very close across many of the 20 acts, and this year looks to be record voting. When Trev was on HopeFM’s LiveWire Live show with me this week, he let it be known that at this halfway stage of the public voting round, around 5000 votes have been cast, compared with about 6000 in total for the whole competition last year.

Therefore the message to acts is clear – please please please if you want to have a clear win to go through to the next round, rather than have to go through another tiebreak judging process, shout your “vote-for-us” plugs about everywhere.

Hessian DMA QF3On to describing this Quarter Final: Hessian start – I’ve been looking forward to hear them again since they gave me such a wake up call at the Heats. This time they’ve not brought the huge crowd with them, this also means the room is half empty as they start.

Guitar led synth based rock, hooks and melodies, tight silences, lots of motion and communication between each other; also plenty of plugs for themselves. One of the last songs features some cutting harmonies from the two singers, lots of pauses in the music also feature demonstrating just how tight this band are together. All good stuff.

NMIC DMA QF3Not Made In China are as ever a lot of fun, while still being unable to box or label genre-wise. Really happy upbeat chords from JJ, Gav’s smile and ska-like bass riffs, Tiff’s clear lyrics above everything, with Matt’s personality able to shine through the drums. The Winchester has now filled up, though still not at capacity, and there’s a modicum of movement on the dance floor.

Sirpico DMA QF3Its the middle of the evening, and Sirpico‘s turn to wow me, which they easily achieve. Even before being announced by Trev, Al is on the mic welcoming people and encouraging them to step forwards. This sets up the scene for a rocked up set of 4 lads dressed in cool black, playing their guts out to a crowd that the majority of don’t start out as theirs, but are slowly being won over. Their fans have some quality heckles too, e.g.:
     Al: here’s the only slow one we do
     Heckle: and I bet that’s at f*^*in’ 1200 BPM too

Powdered Cows DMA QF3Powdered Cows take my artistic award for the night (no real surprise there) something that I haven’t appreciated before is how, while the songs sound like they’re in similar keys, there are subtle differences between them, making it well nigh on impossible to just jump in and accompany them, as Ed Pope does on sax for a couple of numbers. Tonight the first few tracks are very heavily guitar oriented, with strong drum beats. Soon Martin switches from guitar so the synth plays a big part, drums turn into tambourine & whistling before there’s a total instrument switch around between Amy (drums now guitar) & Deena (vice-versa). Meanwhile Angus stays solid playing bass throughout.

Constellation DMA QF3Constellation have had a crowd here since the beginning of the night, so understandably there’s a lot of noise when they finally take to the stage. This also means that The Winchester is still absolutely packed as they play – if there was an extra award for crowd commitment and dedication, these guys would be strong contenders! Once announced they kick straight into a big drum solo to start the set. These guys are a great party band, positive major keys, upbeat/ reggae style guitar beats, and everyone here seems to be here for good time, judging by the noise and heckles.

A specific shout out to Josh from Conversion Studios, he’s offering part of the prize package, and we had a brief chat once introduced by Trev to each other.  Also to two particular members (who will remain nameless – they know who they are) of one of the acts in the Quarter Finals – placing bets on whether they get a mention by name or not in this blog – nice try chaps, I’d say OP wins for that!

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