My guests tonight are The Luminaires, with a cut direct from the studio of their debut EP. Its still in final mixdown stage, so the track that’s bought in to play has not been heard by some of the band even, it’s that fresh. They were last in the studio with me in November, after wowing me with their debut performance at the Oxjam take over; then our topics ranged across all sorts of topics; this time the chat is slightly more focussed – probably as band savant Dave is keeping a lid on himself and his wide-encompassing knowledge.

Afterwards I head onto the now familiar jaunt for Bournemouth Unplugged, O’Neills.

Jonny Neesom Bmth UnpluggedJonny Neesom draws the opening straw tonight. He’s got an interesting style, playing plucked open chords while providing an overwash of MC’d chant rap. Previously I’ve only heard him do 2 or 3 songs at an open mic, to hear him perform a fuller set is good, and shows he does have more songs in his repertoire, with more or less similar styles. When he sings, its very much tone poem style, really allowing a focus on the originality of the lyrics.

Chris Woodford is second. A very quick setup ( and tune up) and he’s in. The first chords still the place, he pauses, one can hear the silence spread across the room, before he launches into his now familiar routine. I’m sort of au fait with the material, yet I never know if I’ve heard each piece of his before or not. It’s varied both in dynamic and style, in that there is chord picking, chord struumming, finger picking (with either hand), taps, pulls, and then when one thinks there is no other style to show off, he slips into lap steel mode and throws in the other moves he’s known for. Winner of the 2008 Dorset Music Award, he’s no doubt on a cert to go far in this competition. Foo Fighters’ Everlong is his choice of cover – yet he’s made it totally his own.

David Mansell Bmth UnpluggedPenultimate act David Mansell starts with a little introduction, promising us a range of genres, and a (very short) story behind his opening song. I’ve not heard David play for a long time. He’s a traditional guitarist compared with the first two acts, he is not coming across as the singer songwriter-guitarist he really is. No sign of the endless strumming here, we are presented with some well-orchestrated chord sequences and foot tapping rhythms, accomplished jazz guitar and blues beats.

Shanon Fontaine Bmth UnpluggedShanon Fontaine closes the evening. She’s bright both with the greeting and the appearance. I must admit to having seen shanon around in crowds at gigs and speaking with her, yet not knowing she played. She has an open picked chord style for verses, pretty much a perfect accompaniment to her isolated voice. Yet for the choruses the now sliced chords pick up the pace and her voice boosts accordingly. In another song she hits some staccato chops that again augment and complement. Shanon is also experimenting with a loop/delay pedal, very basic usage but it helps provide extra depth to the deeper tones she’s singing this time around – this range seems to suit her better than the higher end she’s used up to this point.

Another enjoyable acoustic musical evening courtesy of Fairplay and Bournemouth Unplugged.

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